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【秋田落叶】
改良版
想要用粒子把树叶动画做出来~
就好像安藤忠雄水泥风格建筑中后花园的一颗树~
在秋日一阵和风中飞舞
花瓣轻抚~
落叶飘渺~
【水墨动画】
 
【粒子飞舞】
【NO。0】
 
【成都车厂】
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Student Name:
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Wong Queeny
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Title of Project:
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Primordial State
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Original Building:
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The Michael Fowler Centre
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Site Address:
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111 Wakefield Street Place
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Programme:
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Orchestral Performance Centre
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Student Name:
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Wong Queeny
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Title of Project:
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Primordial State
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Original Building:
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The Michael Fowler Centre
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Site Address:
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111 Wakefield Street Place
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Programme:
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Orchestral Performance Centre
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Epigraph
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“Mechanical Universe - Static, deterministic; separate, absolute space and absolute time, universal for all observers space-time frames; inert objects with simple locations in space and time; Linear, homogeneous space and time; Local causation; given, non-participatory and hence, impotent observer.
Organic Universe - Dynamic, evolving; space-time inseparable, contingent observer (process)-dependent: Delocalized organisms with mutually entangled space-times; Non-linear, heterogeneous multidimensional space times; Non-local causation; Creative, participatory entanglement of observer and observed. “(Ho, 1997) [1]
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Abstract
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The transformation of the existing Michael Fowler Centre with the proposed intervention was strongly driven by the contextual dialogue of natural elements. Analysis of the existing static mechanic structure of the MFC inspired me to create a flowing organic intervention in counterpoint to the original, creating an atmosphere as if the occupants are surrounded by the sound wave of the harmonic sea. Simultaneously the intervention challenges the ecological transformation of the MFC toward a more sustainable building, incorporating self-sufficient and self-operating systems that save natural resources in the day and convert them into electricity for performances at night.
The intervention adapts Lebbeus Woods’ mythology of ‘Four Cities’, his City of Earth-Air-Fire-Water, which proposes that architecture might change people’s thinking by offering different spaces within which to encourage them to challenge the environment. In these four organic structured cities, spaces are formed from cycles in nature and primordial states of matter and energy. This is expressed as a mythology of evolution, a cosmology in which the human being finds harmony with cycles of time, environment, and the passage from birth through growth, decay and death and again to birth.
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[1] Robert. Transportable Environments 2: Theory, context, Design and Technology, (Publish by Taylor & Francis,2002) P4
 
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The Glow light in the Harmonic Sea
Performance Centre - > < - Michael Fowler Centre
ITDN 412
 
The Glow light in the Harmonic Sea
The concepts of ‘The glowing light in the harmonic sea’ come from the idea of Mae-Wan Ho’s theory ‘The new Age of the Organism’, it altered the system references that a basis design theory uses from a machine existing to an organic invention, which turns Michael Fowler Centre into one of multiple interrelated bodies that not only symbolize the importance of performance art in city, but also clearly responds to the environment surround it. Then adopting the mythology of ‘Four Cities', earth/ air/ fire/ water, where believing that architecture might change people’s thinking by offer different spaces to encourage them to challenge the environment.
And in this new design of the MFC, would allow people to see the art of natural, challenge the problem of sunlight control in the existing building and replacing happy inner wall with almost transparency, showing how organic structure coupled with an intelligent invention can reveal a new way to create a potential form. In this project would create a transferable self-stuffiest architecture with advanced technology, innovative form and function. In my opinion, Designer don’t just design for each other, the publics their level of engagement varies based on their interest in and the space their experience. So while I want to invent building that is not just exhibiting the art of performance, but also to discover the potentials of natural, where each element could present on form and combing as whole.
Water is essential to life, we lucky enough to own the purest natural resource in the world and it is our duty to protect it. The quality of water directly affects the quality of living, to be in control and transform the effect power is necessity. In the new design of Art center, Water act as the major element, not only visualize benefits the interior and also audition efficient the exterior. Water is the soul of Art Centre, it give birth to the rhythm and like blood run thought the whole body, generate energy the same time proficient people, reflects to the mystery of sea, the human discovery and innovation only lighten a spot of the enormous sea.
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WHALE RIDER
WATER MARK HOTEL OF WELLINGTON
QUEENY WONG
( International Case study )
March 5th, 2008
Zaha Hadid has designed a landmark building for Szervita Square in the historic centre of Budapest, Hungary (via www.hg.hu).
The mixed-use building, for ORCO Property Group, will replace a communist-era car park and will contain shops, restaurants, offices and a nightclub.
Hungarian site www.hg.hu has more details of the project here.
Orco Property Group is an Eastern European property developer that is also behind the Zlota 44 residential tower in Warsaw by Daniel Libeskind.
UNIVERSITY OF VICTORIA
EXHIBITION IN MIRRIMA
QUEENY WONG
The light and pattern only show at night. When night comes animation will start to play, with LED light shinning on road and reflect back to the surrounding, which creating the world of pirple.
I want to create this moist hemisphere, with mystery and strangeness feeling when enter this purple glory. When people drive though these luminosity of purple animation billboard they would be touched deeper inside as that if their memories been release from the cage,
this is a trip to else where they familiar but uncertainm aplace they maybe pass everyday but unrecognized.
This is a invisible entrance to new world, the world of mysterious and memories,
it would be the first site people pass when arriving the new city or either the last senses when they fly out the country.
ITDN411 FINAL PROJECT
QUEENY WONG
The Music school design features four elements
The Urban Landscape
the connection of civic square and waterside
The Floating roof
act as the main structure under skin of landscape to allow air and lighting breath in fluently
The Ring shapes
not only worked as acoustic control elements under the structured space and also as piece furniture to divide space into its function
The gallery
the space leftover is place for activities such as gallery and exhibit.
All together unite the four general parts of the program:
Transition connector,
Mechanical support and Delivery machine,
Sound control system (recoding room, keyboard laboratory and rehearsal Hall),
and event space
the “vision and fascination of music”.
 
 
IMAGE COLLECTION OF STUDENTS MODEL
INSPRIATION MODEL
Organic Egg cell staircase
Begining to look at how the cells would connect vertically, a set of stairs is encorporated into the vertical support.
COLLECTION REDERING
Organic egg stair case
cam0
cam4
cam6
June 2, 2007
interior views are looking better, comments...
cam_1
cam_2
 ITDN371 THEMATICA
IPOD - social bubble isolatior
QUEENY WONG
ARCHITECTURE HISTORY WORK PROJECT - HAND DRAW AND PRINTMAKING.
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2007 / 09
ITDN389 CAROL HUANG
300085417
Thesis – Routes and guides
To explore a new way to guide inhibits, also to intro a better understanding of city structure.
The city is a deep structure; a dynamic structure. It is complex. This is the rub. This fact leaves the architect, with the intractable problem of how to produce working procedures which can model, more effectively and appropriately, the complex and transforming nature of the contemporary city.
Project Description
For this project, I have been investigating the level of physical interaction possible within a confined space that offers minimum affordances. I was also interested in how that level of physical interaction between the space, object and person can significantly transform the area/space, giving it an entirely new demeanor. For this assignment I have developed two main concepts that explore these ideas and areas of design that I am interested in.
My first concept originated from the idea of compass, which you have to follow some kind direction to find the way. Also to understand how architects try to setup and guide people to explore a confined space, to interact with the space. Using photographic to guide people to enter the mystery world, to exploring new senses and bringing in a this pieces into the confined space to transform it. With this installation I am looking at including that needed object into the space, so there is already some form of physical interaction that will transform the space, in this case it is done through photo. It is interesting to see the effect that simple interaction within a space creates.
For my second installation I am investigating the levels of interaction between two scales. Start a more big area and with the comparison with the whole city route and Looking at physical interaction but also social interaction in this piece.
The social communication between the physical model and the real architecture is what makes this installation interesting as it is a new mapping system that many people have ever think before. Ideally the design would be direct people to discover an unknowing direction, with tring to enter a new way by looking at the three dimensional guide. Again, as in the first installation, if the circumstances were different and that interaction within the space was not obvious, the space would be dim, lifeless but one specific director that can create interaction entirely transforms how we perceive that space. The new model is built in layers with different thickness and material, to show the over mapping of courtney place. It is a guide for people to follow as it directs the tourist and inhibits to exploring a new way. It is a three dimention map that clearly draws the route of busy central Wellington.
ITDN389 CAROL HUANG
300085417
Brief – camera & space between
Design brief
Specific design knowledge found through experimentation resulted in;
People are naturally reactive and effective. They respond to their interest and through discovery, which dramatically affects their direction, to explore a new way to walk and better understand the structure and city route.
These experiences, condition us individually and as a society. As designers, we can control the variables that affect people’s environments, physical objects that they engage with, or representations of our society. This design knowledge is applicable to any design consideration.
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2007 / 08
Shadow route
People say that the Sky was created by the concentration of Yang, the force of light. Earth was created by the concentration of Yin, the forces of darkness. Yang stands for peace and serenity; Yin stands for confusion and turmoil. Yang stands for destruction; Yin stands for conservation. Yang brings about disintegration; Yin gives shape to things.
Intentions in Architect Christian Norberg.Schulz. Christian's perception in the form of architecture should be determined by the treatment of bounding surfaces, which from my understanding of Bounding surfaces is the primary and secondary elements of an architecture, which had formed the space, and also the meaning of the space. Where Christian has compared this theory with music, which each tone has an analogous function to the piece. In metaphor to the elements of my architecture, each of them should function with its own characteristic.
I have experimented with; I have expressed my traffic's daily route in movements with an abstract way. By the use of repetitions of lines representing the route, depth and sense of form has created. Which in this case, the lines of my route have become the primary element and the shadow of darkness between the routes are the secondary elements. By extracting and pushing the lines in a 3-demensional way, a new definition of the city's daily route has formed the basis of architecture.
“Traditional’ urban space consists of buildings as constituent parts of urban blocks, where the blocks define and enclose external space. “Modernist; urban space typically consists of freestanding ‘pavilion; buildings in landscape settings. During the modern period, the morphological structure of the public space network has changed in two important ways: from buildings as constituent elements on urban blocks defining ‘streets’ and ‘squares’.
The repetitive routes become the firs element and the shadow between lines were where shadow lives - the space between two and three dimensionality
The digital recorder enables us to distinguish the distinction between the two dimensional and three dimensional. As it compresses and foreshortens all form onto one narrow space, thus allowing the viewer the ability to interpret the direction as we wishes. Using digital recorder to start form any spot of the trip, the image can be shift from one distance to another. It becomes a starting point, a beginning. The machine itself breaks away from the main body, reaching out and enveloping the street in front. Both sides become blur, disappear images. A distinct axis of symmetry and perspective is observed.
Time and route are exhibited in the space. Sense can be captured every second day for seven days. At a different times of the day. Cars appear and disappear, road changes and turned. Light qualities change and reform. Puddles flood and evaporate. The recorder changes its view, changes its mood, and changes the process of exposure in the development of the film. The sequences in between the captured points are forgotten/lost/unconsidered. These moments can only be found again in the trace of the objects that have moved, a three dimensional manmade presence is felt but not encountered. From the images they only seem to appear on two-dimensional planes. Time becomes somewhat irrelevant to the image. The image instead is a trace of a moment. The closer you become to the camera the faster time ticks by. Time maybe only measured by the movement of the car on the street, when captured through the recorder.
“Whatever was affecting the rate time passed at seemed to obey the inverse square law, the phenomenon apparently radiating from each cloak face, while at the same there was a more generalised sort of effect emanating from the huge central mechanism buried somewhere in the castle’s many lower levels, making everything down there happen more quickly...”. Two dimensional Chess
Passing time could also be mapped by the movement and its sound. Something that cannot be captured on a still film roll, but a digital recorder.
The nearby intersection creates movement to an otherwise stagnant site. When the red signal is lit the traffic mumbles a gentle hum that fills the alley, once a glimpse of green flashes a cacophony of engines flood in. These changes with the hour of the day. ??
On a traffic dram the street is filled with vehicle, noisy and crowed. It inhabits and fills the space like smoke. It fills the photographers lungs and effects the way he will take the photo, therefore maybe the recorder reverberates this emotion.
The mechanisms and links between the camera and the site exist within the cameras illustration of the three dimensional into the two dimensional. What is the point in which one succumbs to the other? Does it happen in the interior of the camera, or the exterior? Truths lie within the transverse relations between the two dimensional, three dimensional and the relativity of the fourth Euclidean dimension. Perhaps more answers lie in ground floor plane. In the puddles. Where the camera, photographer, architecture, light/dark are captured in one autonomous motion.
Sight isolates whereas sound incorporates; vision is directional whereas sound is omnidirectional. The eye reaches but the ear receives through sound we are able to understand the direction and movment better. On the main road the distinct sound of traffic is surrounding us. As you move alone to Narrow Street, the sound gradually and subtly muffles.
What happens when the rhythm of the trip is added to the image? The result is a subconscious imagery that depicts the source of the noise and follows it down the coil. The effect is neither moving nor static. The human brain automatically compensates for the lack of a visible source to satisfy logic. As moviemakers have found, the combination of imagery and sound generates a powerful experience.
What is sound in relation to images? Images are described in dimensions. The three commonly accepted dimensions are based on the x, y, and z, axis. They make up length (depth), width and height. The fourth dimension has been identified as time. Sound is similar to time. It can be recorded and stored. But it is distinctly different, as time cannot be repeated but sound can. Can it? Is sound time? Is it the fourth dimension?
Christian Nordberg-Schulz (Born Oslo 1926, died 2000) was a Norwegian architect, architectural historian and theorist.
Though Nordberg-Schulz had practiced as an architect in his home country, he is well-known internationally both for his books on architectural history (in particular Italian classical architecture, especially the Baroque) and for his writings on theory. His concerns for theory can be characterized by a subtle shift from the analytical and psychological concerns of his earlier writings to the issue of phenomenology of place, being one of the first architectural theorists to bring the thinking of Martin Heidegger to the field.
Reference list:
Rexter, Lyle Photography’s antiquarian avant-garde (New York, America: Harry N. Abrams, Incorporated, 2002) pp.6, 85
Sarstad, Monica Shift; design as usual or a new rising (Stockholm, Sweden: Arvinius Forlag AB, 2005) pp.7, 31
Negative places or positive spaces: does art really contribute to urban regeneration? Landscape design 2003. sept n.323, p.64-65
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2007 / 06
ITDN 389
300085417
Carol Huang
Space between / Camera
Space between – Darkness, lost of space, dangerous, uncared for, leftover, forgotten
Camera – memories, sense of spaces, stories recording,
14th Saturday 2:50AM
The First sight of “the place between” is unforgettable. Enter a complete dark place in a mid Saturday night and try to figure how deep the space is, how far I can go and what is in front of me, the danger might waiting and hiding in the end?
What is there is there just our eyes can not see in darkness when there no a single light, not use to live in dark and wet place, the fair of strange place growth inside of me. If there is a possible way I can find a map a touch or anything to direct me the way in this darkness.
15th Sunday 4:30PM
Went back to the Courtenay place in daytime and it was completely different. Same place same spot, but with sunlight on the wall and dry ground.
Then I Suddenly had an idea of producing instant photo with the sense of direction and memories of this place.
I choose to use a instant camera as a tool to record the alleyway, to memories the sense in daytime then to become my map that direct me thought at night, when completely dark.
16th Monday 10:30AM
Taking a picture is relatively straightforward -- these are no-brainer gadgets. With the understanding that the cameras I chosen were designed to be taken less "seriously", I tried not to pay as much attention to the quality of the picture. Of course the size of the film makes a big difference, with the Instant noticeably bigger.
18th Tuesday 11:30PM
Instant camera
An instant camera is a type of camera with self-developing film. The Polaroid is the most famous camera, which been common used to record the story in diary.
“The invention of modern instant cameras is generally credited to American scientist Edwin Land, who unveiled the first commercial instant camera, the Land Camera, in 1947, 10 years after founding the Polaroid Corporation.”
Polaroid- creative- history
http://www.polaroid.com/company_info/collection.jsp
Instant cameras have found many uses throughout their history. The original purpose of instant cameras can be encapsulated by Jennifer Land's question to her father (Edwin Land): "Why can't I see them now?" Many people have enjoyed seeing their photos shortly after taking them, allowing them to memorise the place they in and people they with.
Pack film cameras operated in a similar manner except for the fact that most of these cameras had automatic exposure. The development of the film required the photographer pull two tabs, the second tab which pulled the positive/negative "sandwich" from the camera, where it developed outside the camera. If the temperature was below 60°F, the positive/negative "sandwich" was placed between two plastic plates and placed either in your
pocket or under your arm to keep it warm while developing. After the required development time (15 seconds - 2 minutes), the positive was peeled apart from the negative.
Polaroid cameras can be classified by the type of film they use. Integral film cameras, such as this SX-70, 600 series camera, Spectra, and Captive cameras went a long way in accomplishing.
20th Friday 2:30PM
The space between
Alley space is between the Italian restaurants and the Tasting room. Stonewort reflected in cons on side of Italian place. Contrast in finish qualities. The Alley is to serve the neighbouring restaurants. Tasting room has lots of service going down the side. Italian café less services + not well maintained.
No ceiling but occasion ally covered by séances coming out of either side. Alleyway is cold and wet. Possibly always dump as never gets direct sunlight to ground. Open at street end but ceiling levels dip down.
Light reading humidity wet and dries black.
A Open - 1840 LUX w=7.8 dry= 8.5
B Ceiling - 560 w=8 dry= 9
C ½ - 422 w=7.5 dry= 8.5
D Street - w=1 dry= 1
Sound - A: 63.2Db B: 69Db C: 67Db D: 68.8Db
21st Saturday 8:30PM
Conceptual:
It is a completely dark space. Existing only due to property bounders and the fact that neither building extends do envelop the space.
It has a purpose is that it is used for accident exit, services access and the worker smoke breaks.
It is a narrow space, only wide enough for one person really.
Dark, unwelcoming, dangerous,
So to remember the way and the direction is the most important thing, to do so, as a designer can create a instant map to rescue custom and staff from fire or emergency. The instant photo simply shows the way to escape the building; act likes a compass or a map.
We associate alley ways as dangerous places and would normally recommend getting out the place quickly, also to avoid to stay in the darkness.
Inside/outside spaces Hardly gets direct sunlight
Texture- hard rubbish water drips puddle narrow, cigarette bit, sound water dripping, people inside kitchen noise from traffic.
Material- Concrete is prevalent just black plaster poured. Dark pipe build on side. Weathered exposed to element, plus get enclosed protected at the same time. Wind, covered footpath, lit up by chops, café restaurant contrast in the qualities between.
Complex site- Ambiguity between inside and outside, evident in the ford that compared to when you stand at the entrance, you are still outside but you head could be covered, you protected from rain and away from traffic and pedestrians.
Inside is protection and shelter, outside is exposed.
23rd Monday 10:30AM
Design issues.
Q: Demonstration of the experiment processes?
A: measure the scene by camera, as per 5 steps with a photo. Direct in two ways; in and out, walk in circulate.
Q: issues in the experiment of the chosen professional design discipline,
A: The quality of the picture dose not came out as what I expect. So then trying to develop the film is the biggest problem. Also by holding the instant file to replace the scene is one of the problems that the lenses do not match with. Had to focused on object view rather then scene.
Q: through analyses of source materials and tool to interpretation and comparison with other disciplines?
A: The media I chosen is truly record film, which can be fast represent and easy understand by people, compare with the other media such as voice record or video recorder is more convenient to use. by using the instant tool to transfer information in a short period.
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